Carnatic Music

How the name Carnatic Music originated Carnatic music owes its name to the Sanskrit term Karnâtaka Sangîtam which denotes “traditional” or “codified” music. The characteristic concert format of “Carnatic music” evolved during the 20th century. A performer may draw inspiration from sacred texts and epics, mythology, aphorisms, patriotic poetry, stories, customs and dances associated with a particular place of pilgrimage; and conclude with “light” songs such as lullabies and love poetry. Source : Wikipedia

The Trinity of Carnatic music They refer to the outstanding trio of composer -musicians of Carnatic music in the 18th century, being Tyagaraja , Muthuswami Dikshitar and Syama Sastri . Prolific in composition, the Trinity of Carnatic music are known for creating a new era in the history of Carnatic music by bringing about a noticeable change in what was the existing Carnatic music tradition. Compositions of the Trinity of Carnatic music are recognised as being distinct in style, and original in handling ragas . The type of songs prevailing today, known as  kriti (lit. “creation“), was popularized by them. Their songs built on the kirtana tradition –  easy to  remember tunes suited for the congregational singing of South and North Indian lyrics. Comprising two or three melodic themes (pallavi, anupallavi and charanam), their songs continue to  kindle creativity, even displays of virtuosity, among today’s singers and instrumentalists.   All three compose